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Opening Exhibition: November 14, 2002 — March 15, 2003
First floor
Samadhi : The Contemplation of Space
Curated by Robert C. Morgan
René
Pierre Allain, Robert
Barry, Beom
Moon, Frederick
Eversley,
Tadaaki
Kuwayama, John
McLaughlin, Jean Miotte,
Joan
Mitchell,
Rakuko
Naito, Mimmo
Roselli, and Kazuo
Shiraga
The Sanskrit term "Samadhi" is often used in Zen
Buddhism to describe the condition of meditation in which the focus of
concentration resides in the undivided self. In visual terms, "Samadhi"
may allude to a specific image or thought made manifest in material form.
Each work in the exhibition is given to a concept of space that engages
abstract ideas through the phenomenology of viewing. Rather than the duality
of consciousness—the subject-object relationship—normally
understood in Western terms, this exhibition proposes another kind of
sensibility. In "Samadhi" the viewer enters into the space of
viewing without rational determinants. The condition of one's perception
is given over to an intuitive and sensory understanding of the work's
structure.
Second floor
Shots in the Dark
A survey of actual crime photography curated by Gail
Buckland. Although the pictures here were chosen for their psychological
insights, they also address issues such as surveillance and privacy, freedom
of the press, exploitation in the media, capital punishment, the psychology
of serial killers and how photography has been used in some of the most
sensational cases. Says Ms. Buckland, "Photography has the power
to make us see. One of the purposes of this exhibition is to foster a
better understanding of violence in American society." Read
a chapter from the book
Memoir of Freedom
An attempt by artists to breathe new life into the Universal
Declaration of Human Rights, which was adopted by the United Nations
in 1948. The idea of a major project uniting art and the never ending
quest for freedom was spearheaded by Joseph Beuys in 1984. Over the next
seven years, Memoir of Freedom was created by some of the best
visual artists of our time, including Alechinsky, Artschwager, Beuys,
Christo, Sam Francis, Hockney, Indiana, Kelly, Lewitt, Lichtenstein, Motherwell,
Rauschenberg, Rotella, Salle, Tinguely and Wesselman. Originally published
as a book with a new multilingual translation of the Universal Declaration
(Mémoir de la Liberté, Sedcome, 1991) and since exhibited
internationally, Memoir of Freedom continues to serve as an artistic
testament to the dream of individual and cultural freedom. The exhibition
Memoir of Freedom presents a selection of these works.
Third floor
Glimpses of the Permanent Collection
Vedova, Rotella, Bury, Motherwell, Mitchell, Shiraga, Francis, Miotte
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